It is important to find yourself involved in the process and not the product. The process should be alive, in motion, vulnerable. Painting demands a certain mystery in which not everything is defined.
The tension between traditional and realistic painting technique and modern abstraction are of particular intrigue to me. I use expressive brush strokes, smudges, and lines that reflect human emotion while still maintaining form, (whether it be a figure, landscape, or still life) creating a balance of disorder and precision. Practicing with diverse mediums, such as charcoal, acrylic, ink, and oil paint, subject matter including landscape, still life, figures and architecture, and odd tools like putty knives, rollers, and rags help to create impressions of reality without becoming photo realism.
There is something poetic in losing the form, bringing it back, and losing it again-as if breathing life into the work. Taking Degas to an extreme, I often find myself creating layers upon layers, and could be happily working on any painting until the end of time… As such, I continually pray for wisdom to know when a piece is completed.
Inspiration comes from keeping my eyes open: Interesting shapes caught by light casting a shadow, unusual colors cast at a certain time of day, nostalgia from my childhood home and environment. Growing up as a farm girl in southern Utah surrounded by some of the most famous national parks in the world has provided a feast of the senses; thus providing endless opportunities for creative expression; however, I believe beauty can be found anywhere, such as a busy intersection in the city, an industrial building, or a glass jar on the kitchen counter.